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[Translate to English:] Ein Tablet zeigt in Augmented-Reality-Modus vor zwei Plattenhochhäusern das gleiche Bild an. Dabei ist auf dem Tablet eine Schwarz-Weiß-Fotografie von einem Mädchen, dass eine Kaugummiblase macht, vor den Hochhäusern hinzugefügt.

ALLES ZIEHT VORBEI | EVERYTHING PASSES

ANDPARTNERSINCRIME (FRANKFURT/MAIN)

A video walk through Grünau as part of the International Day of Children's Rights #TurnTheWorldBlue.

  • Performance
[Translate to English:] Ein Tablet zeigt in Augmented-Reality-Modus vor zwei Plattenhochhäusern das gleiche Bild an. Dabei ist auf dem Tablet eine Schwarz-Weiß-Fotografie von einem Mädchen, dass eine Kaugummiblase macht, vor den Hochhäusern hinzugefügt.

ALLES ZIEHT VORBEI | EVERYTHING PASSES

ANDPARTNERSINCRIME (FRANKFURT/MAIN)

A video walk through Grünau as part of the International Day of Children's Rights #TurnTheWorldBlue.

  • Performance
[Translate to English:] Ein Tablet zeigt in Augmented-Reality-Modus vor zwei Plattenhochhäusern das gleiche Bild an. Dabei ist auf dem Tablet eine Schwarz-Weiß-Fotografie von einem Mädchen, dass eine Kaugummiblase macht, vor den Hochhäusern hinzugefügt.

ALLES ZIEHT VORBEI | EVERYTHING PASSES

ANDPARTNERSINCRIME (FRANKFURT/MAIN)

A video walk through Grünau as part of the International Day of Children's Rights #TurnTheWorldBlue.

  • Performance
[Translate to English:] Ein Tablet zeigt in Augmented-Reality-Modus vor zwei Plattenhochhäusern das gleiche Bild an. Dabei ist auf dem Tablet eine Schwarz-Weiß-Fotografie von einem Mädchen, dass eine Kaugummiblase macht, vor den Hochhäusern hinzugefügt.

ALLES ZIEHT VORBEI | EVERYTHING PASSES

ANDPARTNERSINCRIME (FRANKFURT/MAIN)

A video walk through Grünau as part of the International Day of Children's Rights #TurnTheWorldBlue.

  • Performance
Three people are sitting on a reflective surface with their backs to the camera, looking out at a stylised tropical sunset scene featuring palm trees and a large, colourful circle in the centre.

TUNE BACK (TIME)

GO PLASTIC COMPANY (DRESDEN/LEIPZIG)

go plastic company explores nostalgia as a condition of the present. Between fragments of memory, digital landscapes and embodied experience, a choreographic journey unfolds through loops, glitches, collective memories and the futures we once dreamed of.

  • Dance
  • Performance
Three people are sitting on a reflective surface with their backs to the camera, looking out at a stylised tropical sunset scene featuring palm trees and a large, colourful circle in the centre.

TUNE BACK (TIME)

GO PLASTIC COMPANY (DRESDEN/LEIPZIG)

go plastic company explores nostalgia as a condition of the present. Between fragments of memory, digital landscapes and embodied experience, a choreographic journey unfolds through loops, glitches, collective memories and the futures we once dreamed of.

  • Dance
  • Performance
Three people are sitting on a reflective surface with their backs to the camera, looking out at a stylised tropical sunset scene featuring palm trees and a large, colourful circle in the centre.

TUNE BACK (TIME)

GO PLASTIC COMPANY (DRESDEN/LEIPZIG)

go plastic company explores nostalgia as a condition of the present. Between fragments of memory, digital landscapes and embodied experience, a choreographic journey unfolds through loops, glitches, collective memories and the futures we once dreamed of.

  • Dance
  • Performance
Two people in pink overalls sit in blue light against a dark backdrop. One of them is wearing a work glove and is holding the other person by the neck whilst speaking to them.

THE WORLDSHIP

YOLANDA MORALES (HAMBURG)

Can colonialism and climate change be separated? Together with her ensemble, Yolanda Morales explores movements that run deeper than we realise and creates a new sense of togetherness on stage.

  • Dance
  • Performance
Two people in pink overalls sit in blue light against a dark backdrop. One of them is wearing a work glove and is holding the other person by the neck whilst speaking to them.

THE WORLDSHIP

YOLANDA MORALES (HAMBURG)

Can colonialism and climate change be separated? Together with her ensemble, Yolanda Morales explores movements that run deeper than we realise and creates a new sense of togetherness on stage.

  • Dance
  • Performance
Two people in pink overalls sit in blue light against a dark backdrop. One of them is wearing a work glove and is holding the other person by the neck whilst speaking to them.

THE WORLDSHIP

YOLANDA MORALES (HAMBURG)

Can colonialism and climate change be separated? Together with her ensemble, Yolanda Morales explores movements that run deeper than we realise and creates a new sense of togetherness on stage.

  • Dance
  • Performance

NACHHALL | REVERBERATION

SENIORCOMPANY OF THE LEIPZIGER TANZTHEATER

In this piece, the senior company of the Leipziger Tanztheater embarks on a poetic journey into the world of personal and collective memories.

  • Dance
  • Theatre

NACHHALL | REVERBERATION

SENIORCOMPANY OF THE LEIPZIGER TANZTHEATER

In this piece, the senior company of the Leipziger Tanztheater embarks on a poetic journey into the world of personal and collective memories.

  • Dance
  • Theatre

NACHHALL | REVERBERATION

SENIORCOMPANY OF THE LEIPZIGER TANZTHEATER

In this piece, the senior company of the Leipziger Tanztheater embarks on a poetic journey into the world of personal and collective memories.

  • Dance
  • Theatre