The Second World War ended 80 years ago - a time that still shapes us today. Remembering and coming to terms with this dark past has had a profound impact on our understanding of responsibility, guilt and reconciliation.

What happens when not only the performers are naked, but also the audience?

Alica Minar develops a clownesque-tragic figure whose initially naive joy in finding and collecting simple black balls increasingly turns into unbridled greed.

With 360° film technology, VR glasses and surround sound, a story of searching and longing is brought to life in an artificial world without physical boundaries.

This dance piece and happening operates in a field of tension between appealingly proclaimed art theory and unleashed live excess. A dance-intensive, rousing celebration of non-conformity and live experience on stage.

For two months, the director and her actors delved into the darkest corners of human interaction to create a work that offers the audience what theatre has been known for millennia - catharsis.

The young ensemble dances the idea of LOVE in many facets, as effectively as warm-heartedly as a process and as a physical state - charismatic and moving.